Knoxville Symphony Orchestra piano audition

Audition information
Position
Principal piano
Application deadline
October 8, 2018
Audition date
October 19, 2018
Payment
$125.45 per service
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(Posted on July 10, 2018; last updated almost 6 years ago)

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Audition Repertoire
One of the following solos
Chopin—Etude Op. 10 (with the exception of No. 3, 6, or 11)
Chopin—Etude Op. 25 (with the exception of No. 2, 7, or 9)
One of the following concerto movements
Beethoven—Piano Concerto No. 1
  • Mvt. I: exposition
Beethoven—Piano Concerto No. 2
  • Mvt. I: exposition
Beethoven—Piano Concerto No. 3
  • Mvt. I: exposition
Beethoven—Piano Concerto No. 4
  • Mvt. I: exposition
Beethoven—Piano Concerto No. 5 in E♭
  • Mvt. I: exposition
Mozart—Piano Concerto No. 27 in B♭ major, K. 595
  • Mvt. I: exposition
Mozart—Piano Concerto No. 17 in G major, K. 453
  • Mvt. I: exposition
Mozart—Piano Concerto No. 20 in D minor, K. 466
  • Mvt. I: exposition
Mozart—Piano Concerto No. 21 in C major, K. 467
  • Mvt. I: exposition
Mozart—Piano Concerto No. 23, K. 488
  • Mvt. I: exposition
Mozart—Piano Concerto No. 24, K. 491
  • Mvt. I: exposition
Piano orchestra excerpts
Bartók—Music for Strings, Percussion, and Celesta
  • Mvt. II: 154–166
  • Mvt. II: 199–242
  • Mvt. IV: 150–184
Bernstein—Symphonic Dances from West Side Story
  • 400–539
  • 581–730
Copland—Appalachian Spring Suite
  • 8–10
  • 2 before 13 to 14
  • 35 to 2 after 36
  • 5 after 48 to 50
Milhaud—La création du monde
  • 2 before 26 to 4 after 39
Shostakovich—Symphony No. 1, Op. 10
  • Mvt. II: 2 before 18 to 3 after 22
  • Mvt. IV: 3 after 9 to 15
Stravinsky—Firebird Suite (1919)
  • Variation de l'oiseau de feu: 2 before 10 to the end
Stravinsky—Petrushka (1947 version)
  • 64–73
  • 76–81
  • 82–88
  • 91–108
Celeste orchestra excerpts (to be played on electronic keyboard)
Tchaikovsky—The Nutcracker
  • Dance of the Sugar Plum Fairy
Harpsichord — one of Vivaldi’s Four Seasons of the candidate’s choice: realization of continuo part from the first movement
Accompaniment
Saint-Saëns—Introduction and Rondo Capriccioso
Discussion

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