Adams—City Noir
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Beethoven—The Creatures of Prometheus
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Act II, No. 5: cadenza to the 8th measure of “Andante quasi allegretto”
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Beethoven—Symphony No. 3
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Beethoven—Symphony No. 5
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Mvt. II: 1–10
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Mvt. II: 49–59
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Mvt. II: 98–106
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Beethoven—Symphony No. 8
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Beethoven—Symphony No. 9, “Choral,” Op. 125
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Mvt. IV: opening to 90 (Recitative)
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Brahms—Piano Concerto No. 2
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Mvt. III: Beginning–25
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Mvt. III: 71–end
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Brahms—Symphony No. 2
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Brahms—Symphony No. 3
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Debussy—La Mer
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Mvt. I: 2 before 9 to 6 after 9, top part
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Elgar—Enigma Variations
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Variation VIII (W.N.): 5 after 31 to 7 after 31
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Variation XII (B.G.N.): 1–2
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Variation XII (B.G.N.): 7 after 54 to the end
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Holst—The Planets
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Mvt. II (Venus): 7 after 4 to 12 after 4
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Mvt. II (Venus): 7 after 5 to 8 after 5
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Mvt. II (Venus): 4 before 6 to 6
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Mendelssohn—A Midsummer Night’s Dream, Op. 61
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Mozart—Symphony No. 35, “Haffner”
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Prokofiev—Symphony No. 5
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Rimsky-Korsakov—Scheherazade, Op. 35
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Mvt. I: 5 after B to D
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Mvt. I: 7 after F to H
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Mvt. I: M–end
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Mvt. II: 15 after C to 9 before D
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Mvt. II: 2 before R to 1 after R
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Rossini—William Tell Overture
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Shostakovich—Symphony No. 1, Op. 10
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Mvt. I: 3 after 17 to 7 after 18
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Mvt. III: 1–2
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Mvt. III: 21–end
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Mvt. IV: 1 after 20
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Mvt. IV: 36–40
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Smetana—The Bartered Bride
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Strauss—Ein Heldenleben, Op. 40
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Tchaikovsky—Piano Concerto No. 1
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Tchaikovsky—Symphony No. 6
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Verdi—Requiem
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Williams—Music From Lincoln
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Mvt. IV, “With Malice Toward None”: opening solo to 11
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